voodoo symbolism Voodoo-puppen, Haarklemmen, Haar-accessoires, Symbole, Design Voodoo symbols PS brushes by coffretdebelleschoses.com on. Um ihre verbotenen Götter zu verstecken, nutzten die Sklaven die religiösen. Vodou symbols known as veves are employed when appealing to the lwa, with each lwa having its own veve. WeltanschauungRunenTattoo „voodoo“Symbole. voodoo symbolism Voodoo-puppen, Haarklemmen, Haar-accessoires, Symbole, Design Voodoo symbols PS brushes by coffretdebelleschoses.com on. Voodoo [ˈvuːduː], auch Vodun, Voudou, Wudu oder Wodu, ist eine synkretistische Religion, eine entscheidende Rolle und führte dazu, dass militärische Symbole fest im haitianischen Voodoo verankert wurden – ein Phänomen, das so. Wie Sie Ihr persönliches Voodoo-Symbol erstellen und aktivieren erfahren Sie nach Ihrer Registrierung. Warum ein Opfer bringen? Im Reich der Voodoo-Götter.
Voodoo Symbole The Ritual Symbols of Voodoo VideoVEVE LESSON 1 [THIS IS PROPERTY OF LAKOU PAPIYON]
Patrick who drove the snakes out of Ireland ; Sometimes also associated with Moses, whose staff transformed into a snake to prove the power of God over that wielded by Egyptian priests.
Holiday: March 17 St. Patrick's Day. Offerings: An egg on a mound of flour; corn syrup; chickens; other white objects such as white flowers.
Color s : White. Ogoun was originally associated with fire, blacksmithing, and metalworking. His focus has transformed over the years to include power, warriors, and politics.
He particularly likes the machete, which is a common offering in preparation of possession, and machetes are sometimes featured in his veves.
Ogoun is protective and triumphant. Many credit him with planting the seeds of revolution into the minds of Haitian slaves in Each of the many aspects of Ogoun has their own personalities and talents.
One is associated with healing and is seen as a combat medic, another is a thinker, strategist, and diplomat, and many are machete-swinging warriors.
James the Greater or St. Offerings: Machetes, rum, cigars, red beans and rice, yam, red roosters and non-castrated red bulls.
Color s : Red and Blue. Gran Bwa means "big tree," and he is the master of the forests of Vilokan, the island that is home to the lwa.
He is strongly associated with plants, trees, and practices associated with those materials such as herbalism. Gran Bwa is also the master of the wilderness in general and thus can be wild and unpredictable.
But he is also big-hearted, loving, and fairly approachable. It is native to Haiti and was made nearly extinct in the 20th centuries by opponents of Vodou.
It is a mapou tree that is seen as connecting the material and spirit worlds Vilokan , which is represented in the courtyard of Vodou temples by a central pole.
Gran Bwa is often also seen as a guardian and protector of the ancestors who have always traveled from this world to the next. Healing, secrets, and magic are also associated with Gran Bwa as he hides certain things from the prying eyes of the uninitiated.
He is called upon during initiation ceremonies. His gift for linguistics enables him to translate the requests of humans into the languages of the Spirits, the Orishas, and the Loas.
Legba has his origins with the Fon people of Dahomey Benin Africa and is said to be the guardian and trickster of the crossroads and entrances.
He is widely worshipped and similar spirits are found all over the world. According to one legend, Papa Legba is the youngest son of Mawu and Liza, the creators of the world.
Mawu and Liza are portrayed as twins but are one in Spirit. Mawu is the female aspect, and is associated with the East, the night moon, fertility, motherhood and night.
Liza is the male aspect, and is associated with the West, the daytime sun, heat, work and strength. In another legend, he is the son of Oshun.
Voodoo practitioners place representations of Papa Legba behind the front door of their home in order to clear the path, accomplish goals, and to bring his protection.
If you are interested, read more about Papa Legba. A very powerful Loa, Baron Samedi is the head of the family of ancestral loa, the Ghede, and is considered one of the patron loas of New Orleans.
He is the head of the family of ancestral loa. As Master of the Cemetery and guardian of ancestral knowledge, Baron Samedi is typically depicted as if ready to be buried Haitian style with a top hat, black tuxedo, dark glasses, and cotton plugs in the nostrils.
He has a white, mostly skull-like face and speaks with a nasal tone of voice. The first burial of a man in any cemetery in Haiti is dedicated to Baron Samedi.
His wife is the loa Maman Brigitte. Baron Samedi stands at the crossroads, where the souls of dead humans pass on their way to Guinee. As well as being the all-knowing loa of death, he is a sexual loa, frequently represented by phallic symbols.
He is noted for disruption, obscenity, debauchery, and for having a particular fondness for tobacco, especially Pall Mall cigarettes, money, and white rum.
The Baron's ceremonial foods included grilled peanuts, black coffee, and bread. One of his favorite drinks is rum in which 21 hot peppers has been steeped.
Baron Samedi is also the loa of sex and resurrection. In the Voodoo Pantheon, there is an important group of female loa goddesses whose first name is Erzulie.
While all of them share in their role as Goddess of love, art, and sex, each has additional areas of life which is theirs to defend and assist.
Erzulie is three in aspect: she can be Erzulie Freda, a virgin goddess likened to the Virgin Mary; Erzulie Dantor, loa of jealousy and passion; or La Siren, a personification of the sea and goddess of motherhood.
As Freda, her color is pink, her animal a white dove. As Dantor, her colors are blue and gold. Erzulie Dantor is the patron loa of lesbian women, fierce protector of women experiencing domestic violence and patron loa of New Orleans.
Beauty, love, and sensuality are her Creations. Fiery emotions are what link her to the endless reservoir of universal creativity. Erzulie Dantor offers to you protection and possibilities beyond the imagination.
She has tribal scars on her cheek, and is considered heterosexual because she has children, but she is also the patron loa of lesbian women.
Thus, she loves women fiercely, and will defend them to the death. She loves knives and is considered the protector of newly consecrated Voodoo priests and priestesses, as well as of women and children who are victims of domestic violence, and women who have been betrayed by a lover.
She is highly respected and much feared due to her Woman Power. Most Haitian women serve Dantor, and she is also the patron loa of New Orleans and so she is served by many there as well.
She also supports independent business women and is the patron of women's finances. Many women invoke Erzulie Dantor against their partners male or female should they become violent.
And enlightened men also serve Dantor, especially men who honor, love and respect women. She was a warrioress who fought with her people during the Haitian revolution.
However, her own people cut out her tongue so that she would not tell their secrets should she be captured. Thus, she is mute and can only speak a stammering monosyllable, "ke-ke-ke-ke-ke!
She is often pictured with her daughter Anais, who serves as her translator and interpreter. And, they like the deities they worship to be attractive, too.
Erzulie Freda embodies love and is the spirit of beauty, jewelry, dancing, luxury, and flowers. She represents the epitome of femininity and compassion.
She is frequently invoked to help find a lover, or renew a love relationship. Erzulie Freda is considered a Rada Lwa and so her domain is water and she lives on the riverbanks.
Her colors are white and pink. It originated in Africa and with the spread of the slave trade it is scattered throughout the world.
Mainly in the Caribbean Islands and Louisiana. Satanism — Gothic — Vampirism. Witchcraft — Paganism — New Age. Masons — Secret Clubs.
Catholicism ——- Voodoo.